El número de verano de la revista publicada por la “Craft Potters Association” de Reino Unido tiene es esta ocasión un interés especial por el uso del torno como herramienta incombustible en la cerámica. A pesar de la deriva hacia la escultura que se ve en las últimas décadas, el torno tiene en si mismo la esencia de la filosofía de trabajo y el concepto cerámico. Así lo cuenta la directora, Bonnie Kemske, en su editorial; y así se puede apreciar en los artículos dedicados a Richard Phethean, Tanya Gomez, Ben Richardson, John Higgins, Richard y Lucy HeeleyGareth Mason.
CONTENIDO
Shifting Dimensions
Richard Phethean gives life to a new set of forms, explains Andy Horn
Rhetoric of Colour
Kimberley Chandler observes a sublime influence on the works of Tanya Gomez
Understatement
Yvette Breytenbach lays the emphasis on context with Ben Richardson‘s wheel-thrown ceramics
Singing Aloud
John Higgins has discovered the performer in himself, writes Deborah de Beer
Pots and Recipes
Richard Heeley, and his wife Lucy Heeley, feel that making pots fits hand-in-glove with fine dining
The Risk of Ornament
Ian Wilson sees a powerfull tribute to the decorative in Jo Taylor‘s sculptural forms
Ascending Spiral
Gareth Mason leans towards the lyrical in his narrative of throwing
Knowledge
Making Sequence, by Gareth Mason
Knowledge
Decorating, by Richard Phethean
Throwning
Composite Throwing, by Virginia Scotchie
Makers’ Notes. Notes from Features
Tanya Gomez and Richard Heeley
Technical
Clay Particles – Part. 1, by Oelof Heckroodt
Listings/Classified
A Potter’s Day
Adam Sutherland makes a case for the artist’s potter
Letters
Off Centre
Andrew Dawood draws a parallel between dentistry and ceramics
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